Alma-Tadema, Sir Lawrence
b.Jan. 8, 1836, Dronrijp, Netherlands.
d.June 25, 1912, Wiesbaden, Germany.
Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail. Related Paintings of Alma-Tadema, Sir Lawrence :. | A Romano-British Potter (mk23) | The Way to the Temple (mk23) | Love's Jewelled Fetter (mk23) | A Street Altar (mk23) | A Favourite Custom (mk23) | Related Artists: Paul RevereAmerican Sculptor and Engraver, 1735-1818
was an American silversmith and a patriot in the American Revolution. Because he was glorified after his death for his role as a messenger in the battles of Lexington and Concord, Revere's name and his "midnight ride" are well-known in the United States as a patriotic symbol. In his lifetime, Revere was a prosperous and prominent Boston craftsman, who helped organize an intelligence and alarm system to keep watch on the British military. Revere later served as an officer in one of the most disastrous campaigns of the American Revolutionary War, a role for which he was later exonerated. After the war, he was early to recognize the potential for large-scale manufacturing of metal. Peter Andreas RysbrackFlemish , Paris 1685/90-1748 London
Nicolas Dipreb Paris; fl 1495; d by 14 March 1532). French painter. Documents describe him as parisianus, and he appears to have belonged to a family of painters from Ypres or Amiens. His father, Nicolas Dipre the elder ( fl 1464, d before 1508), known as Colin d'Amiens, worked as a painter in Paris and was sufficiently well known in 1481 to be commissioned to produce a design for the tomb of Louis XI; his grandfather was probably the Andre d'Ypres documented in Amiens from 1435 to 1444. Nicolas Dipre is first referred to in 1495 in Avignon, where he worked for the rest of his life, gaining a widespread reputation.
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